New York City is fabulous! It is home!!! But it is even greater when you can meet docents of people interested in similar issues:

Here is our NYC AAG “crafts” program:

Geographies of Craft and Crafting

AAG Annual Meeting, New York City

Saturday, February 25th 2012

8.00 AM – 6.20 PM

Nassau A, Second Floor, Hilton

Organizer(s):

Kendra Strauss- University of Glasgow

Doreen Jakob – University of Exeter / UNC Chapel Hill

Hayden Lorimer – University of Glasgow

Nicola J Thomas – University of Exeter

Sponsorship(s):

Cultural Geography Specialty Group

Geographic Perspectives on Women Specialty Group

Economic Geography Specialty Group

2119 Geographies of Craft and Crafting I

Saturday, 2/25/2012, from 8:00 AM – 9:40 AM in Nassau A, Second Floor, Hilton NY

From provisioning (sewing, knitting garments, woodworking and ironmongery etc.) to communal forms of socialisation (quilting bees, knitting circles) to local markets (craft fairs, farmers’ markets), crafts and crafting have been variously regarded: as peripheral (residual, non-capitalist) forms of production; as the locus of anti-capitalist politics; as an ideal model for cottage-scale entrepreneurialism; and, as the essence of vernacular material culture. When kept from public view, crafts have also long operated as a means of personal fulfilment, self-expression, domestic decoration and sometimes even to celebrate and commemorate notable events in the life of family or friends. As such, the practices and politics of craft encompass a wide variety of forms of social reproduction and have been at the centre of a range of social movements for centuries. A critical awareness of these politics and practices has also informed the cultural appreciation of craft in the creative arts, and its more traditional variant of ‘folk art’.

The emergence of ‘third wave’ crafting in the 1990s, and the meteoric rise of technologies and applications associated with it – from Etsy to DIY videos on YouTube – has seen the craft movement re-emerge as a social, economic and cultural movement of significance and scope.

To date, however, there has been only limited work by geographers or other social scientists that has aimed to grapple with the complexities and contradictions of crafting. This session asks: What are the geographies – cultural, political, feminist, localist, aesthetic, economic, racial, urban, rural – of craft and crafting?

Chair(s):

Kendra Strauss – University of Glasgow

Abstract(s):

8:00 AM Author(s): *Katie McCollough – Rutgers University

Abstract Title: Scrapbooking Lives: An Affective, Ritualized Care Apparatus

8:20 AM Author(s): *Oona Morrow – Clark University

Abstract Title: Urban homesteading: gender and self-provisioning in the city

8:40 AM Author(s): *Katherine Mary Stewart – IGES, Aberystwyth University

Abstract Title: Geographies of Craft and Crafting: Critical Perspectives on the Transition Culture movement.

9:00 AM Author(s): *Jasna Sersic, PhD student – Department of Social and Economic Geography, Uppsala University

Abstract Title: Craftsmanship and creativity in the age of global economy

9:20 PM Author(s): *Andrew Warren – University of Wollongong, Australia

Abstract Title: Soulful production: place, precarity and craftsmanship in the custom surfboard industry

2219 Geographies of Craft and Crafting II

Saturday, 2/25/2012, from 10:00 AM – 11:40 AM in Nassau A, Second Floor, Hilton NY

This is the second of four ‘Geographies of Craft and Crafting’ sessions. We understand the craft movement as socially and spatially heterogeneous; such diversity raises a series of questions that might constitute an incipient research agenda. In its different manifestations how does the craft movement embody tensions, linkages and power hierarchies that both challenge and reflect socially-constructed categories of difference such as gender, class, race, ethnicity and sexuality? How do crafting practices and discourses vary within and between urban and rural environments, regions, and nations? How does contemporary crafting reflect and co-construct diverse politics, from radical feminist ‘craftivist’ to middle-class urban nostalgia to traditionalist conservative? In relation to labour, is crafting simultaneously invoked as a route to entrepreneurial independence and (as it has been historically) as an alternative to capitalist alienated labour? How is craft to be defined in relation to art, the artistic labour process and spaces of artistic practice (such as galleries and art schools)? In what ways and among which communities is craft used to encapsulate styles of life aiming to operate at a slower tempo, or that are retrospective in character? How far is the craft resurgence an expression of austerity chic – “keep calm and carry on crafting”?

Chair(s):

Hayden Lorimer – University of Glasgow

Abstract(s):

10:00 AM Author(s): *George Revill – The Open University

Abstract Title: Tom Rolt’s high horse: ecology, region and the democracy of craft work

10:20 AM Author(s): *Richard E Ocejo, Ph.D. – John Jay College of Criminal Justice, CUNY

Abstract Title: Craft and the Reinvention of Working-Class Jobs

10:40 AM Author(s): *Nicola J Thomas – University of Exeter, *Doreen Jakob – University of Exeter / UNC Chapel Hill

Abstract Title: Situating Craft Guilds in the Creative Economy: Histories, Politics and Practices

11:00 AM Author(s): *Steve Millington – Manchester Metropolitan University

Abstract Title: Out of the ordinary: crafting the spectacular in Blackpool

2419 Geographies of Craft and Crafting III

Saturday, 2/25/2012, from 12:40 PM – 2:20 PM in Nassau A, Second Floor, Hilton NY

Session Description: In this third session, we hope to further explore the ways in which these sessions can have a catalytic effect: prompting discussion, encouraging networking and bringing together work that represents a range of approaches to geographies of craft and crafting.

Chair(s):

Doreen Jakob – University of Exeter / UNC Chapel Hill

Abstract(s):

12:40 PM Author(s): *Heather Downs, PhD – Jacksonville University

 

Abstract Title: “I do have to show you how to uninvite someone from your pictures.”: Family Discourse in the Scrapbooking Community

 

1:00 PM Author(s): *Amanda Fickey – University of Kentucky

 

Abstract Title: “Kentucky Crafted”: Exploring geographical lores and alternative economic practices

 

 

1:20 PM Author(s): *Andrew Wilbur – University of Glasgow

 

Abstract Title: Crafting alternative lifestyles: Back-to-the-landers and slow farming in Italy

 

 

1:40 PM Author(s): *Malcolm Ferris – Plymouth College of Art

 

Abstract Title: Mapping the Contemporary Artisanal: a view from Chinese performance art

 

2519 Geographies of Craft and Crafting IV

Saturday, 2/25/2012, from 2:40 PM – 4:20 PM in Nassau A, Second Floor, Hilton NY

Session Description: This is the final paper session on Geographies of Craft and Crafting, exploring conceptual issues, methodological approaches and practice-led or object-centred inquiries into the doing and making of crafts.

Chair(s):

Nicola J Thomas

Abstract(s):

2:40 PM Author(s): *Cigdem Kaya – Istanbul Technical University

*Burcu Yagiz – Kadir Has University

Abstract Title: Crafts in Museum Shops: Crafts as Representation Revisited

3:00 PM Author(s): *Hayden Lorimer – University of Glasgow

Abstract Title: Work on ward – indigenous craft and hospital life

3:20 PM Author(s): *Teresa Almeida –

Abstract Title: Weaving with a twist: the intersection of soft technology with traditional handwork in rural Southeast Asia

3:40 PM Author(s): *Joanna Mann – University of Bristol

Abstract Title: Enacting Whimsy: Yarn Bombing, Materiality and Affect

2619 Geographies of Craft and Crafting V

Saturday, 2/25/2012, from 4:40 PM – 6:20 PM in Nassau A, Second Floor, Hilton NY

Session Description: This panel session will seek to explore the themes and debates emerging from the previous sessions, and to consider the range of approaches to geographies of craft and crafting, including:

  • craft, labour and social reproduction
  • craftivism’ and the politics of craft and crafting
  • crafts, hobbies and forgetting: vernacular histories and geographies of making in everyday communities
  • the spatialities of crafts and crafting
  • the influence of technology in crafting
  • the economics of crafting: its commercialization & capitalization
  • festivals of crafts/crafts as tools for urban and economic development
  • the changing social status of the crafter, craftsmanship and the master craftsman
  • the intersections between cultures and politics of craft and the construction of social difference: race, ethnicity, gender, sexuality, age and (dis)ability

Chair(s):

Kendra Strauss – University of Glasgow

Panelist(s):

Doreen Jakob – University of Exeter / UNC Chapel Hill

Nicola J Thomas – University of Exeter

Sarah De Leeuw – University of Northern British Columbia

Hayden Lorimer – University of Glasgow

Richard E Ocejo – John Jay College of Criminal Justice, CUNY

Discussant(s):

Kendra Strauss – University of Glasgow

Advertisements